Paul Giamatti was intrigued when he received a script the size
of Cleveland's phone book for "John Adams" - a seven-hour miniseries - and
the word from Executive Producers Tom Hanks and Gary Goetzman that they
wanted to retain his services in the title role.
A student of history,
Giamatti thought the massive project (set for a six-month shoot on
the East Coast and parts of Europe) would be a slam-dunk - until he
realized that he knew next to nothing about the United States of
America's first vice president, second president and father of its
sixth president.
Somehow, several of the finest points in the
life and times of John Adams had escaped the star of the
much-awarded film "Sideways" with an Oscar nod for "Cinderella
Man." Within weeks, Giamatti embarked on a six-month journey on a
budget in excess of $30 million with more than 50 speaking parts
(including fellow Academy Award nominees Laura Linney and Tom
Wilkinson).
The 40-year-old actor's immediate task was to sort
out the complex character of Adams, the firebrand leader of the
American independence movement who helped write the Declaration of
Independence.
The sweeping saga - starting with the Boston
Massacre in March 1770 and ending with his death at 91 on July 4,
1826 (only a few hours after Thomas Jefferson's demise) - also
frames Adams' 54-year romance and rock-solid partnership with his
wife, Abigail (Linney), the mother of his four children, plus his
chief political rivals Benjamin Franklin (Wilkinson) and Jefferson
(Stephen Dillane).
"To be honest, I really knew next to nothing
about Adams when the script landed in my lap," said Giamatti,
"including that he was one of the creators of the Declaration of
Independence and had a famous marriage. In my mind, he was sort of
the Boring Founding Father because I didn't know much about him.
"Then I came to a big surprise," he continued, laughing. "I
discovered a very human, complicated man constantly in conflict
with himself. He had a Puritanical streak, which I believe made him
terrified of being vain and arrogant. Yet he was terribly vain and
incredibly arrogant. There were times when I almost felt like I was
playing (Richard) Nixon - a very intelligent, highly conflicted and
difficult person."
"John Adams" was shot at blinding speed under
the direction of Tom Hooper from a script by Kirk Ellis and
Michelle Ashford based on David McCullough's Pulitzer prize-winning
biography of the same title. It was shot during the first half of
2007 in Colonial Williamsburg and Richmond, Va., with Budapest,
Hungary, standing in for several European capitals including Paris,
London and The Hague.
A fellow New Englander from New Haven,
Conn., Yale graduate (BA in English and MFA in Drama) Giamatti
feels he had a strong sense and sensibility regarding his
Harvard-educated Adams character.
"I felt close to the character,
probably because I have lots of relatives in the New England
states. What really resonates is our work ethic, something very
much in Adams' background."
The son of heavy-duty educators was
invited to join the Skull and Bones secret society during his
senior year at Yale. His mother, Toni Smith, taught English at the
upper-crust Hopkins School and his father, A. Bartlett Giamatti,
was a professor of comparative literature at Yale before being
elected the august institution's youngest president.
Much to the
younger Giamatti's relief, his father had moved on to bigger and
better things by the time he graduated from the exclusive Choate
Rosemary Hall prep school and enrolled at the venerable Ivy League
university.
"My dad was a huge baseball fan, and one day while he
was president of Yale he made a crack to somebody that he'd rather
be president of the American League," he laughed.
"Somehow it
stuck in somebody's mind because when he left education (in 1986),
baseball came to him and he was appointed president of the National
League. On April 1, 1989, he became the commissioner of Major
League Baseball, in time to become Pete Rose's archenemy, but he
passed away only five months later."
Always interested in acting,
Giamatti went through the Yale School of Drama with the likes of
Edward Norton and made his 1991 professional stage debut in an
obscure play at New York's La Mama Theater Company, which paid $300
for a four-week run. His brother, Marcus, chose his own path to
acting.
His first major screen role was that of Kenny "Pig Vomit"
Rushton in Howard Stern's "Private Parts" in 1997, followed by "The
Truman Show," "Saving Private Ryan," "The Negotiator" and "American
Splendor" over the years. Still a resident of New York's Brooklyn
Heights, he prefers the company of his son, Samuel, 6, on days off
as his wife, Elizabeth, is often around as a producer of their
independent films, including the upcoming "Pretty Bird" and "Cold
Souls."
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